Nicola Yoon has been on my list of authors that I was looking forward to reading. I wasn’t quite sure whether to start with The Sun is Also A Star but once I saw the film trailer for Everything Everything, I knew that would be the first book of hers that I would have to read.
Yoon is an exceptionally talented writer and demonstrates her skills in character development, plot and descriptions in this novel. She is patient with the descriptions and really makes the main character, Madeline’s youthful and child-like fascination with the world believable. In the Q&A portion of the book, Yoon even says that the innocence of Madeline was largely inspired by her own infant daughter’s reactions to the world around her.
In all honesty, I hadn’t anticipated enjoying Everything Everything as much as I had. It was a new and fresh story that has never been told before. I think that there are themes like love and protection that are carried on throughout that really grip at the readers heartstrings and get them invested in the turn of events. I also respect Yoon for making the main female character multiracial. It’s not her identity but it is something that is made clear about her. I think that it’s incredible to have more culturally diverse characters in books, television and film because it really helps to inspire diverse readers and encourage diversity in the world. It helps remind audiences that fundamentally being different is nothing to be ashamed of.
I would recommend this book to YA readers, fans of John Green, fans of film to book comparisons, or anyone looking for an entertaining but light read.
OH MY GOODNESS! I am at a loss for words. If you knew me personally – you would know that basically never happens but let me try my best to explain my speechlessness. I have just finished reading Stephanie Garber’s Caraval and it was absolutely unforgettable! In all honesty, before we proceed, stop now and please add it to your TBR… it’s okay…I’ll wait.
You added it? Put it on your Amazon wish list? Made it to the local bookstore?
Good. Let’s proceed.
Caraval is the story of two sisters, Donatella (Tella) and Scarlett born, raised and restricted to their home island of Trisda. Living under the strict and abusive supervision of their father, Governor Dragna forces the two sisters to yearn for lives far away from their reality especially for the mysterious and magical tournament, Caraval. Scarlett eventually grows out of her fascination but hopes that her impending marriage to an unknown suitor will be the salvation that her and her sister have been waiting for while Tella yearns to attempt bolder methods.
Stephanie Garber is incredible in this novel and does a remarkable demonstration of skill in this fantasy novel. The themes are sisterhood, self-discovery and love in a multitude of forms. Despite the romance that builds in the story, it’s purely and innocently done and refreshingly not the primary focus of the story. No better story of sisters has been done this well apart from the film, Frozen with Elsa and Anna (at least that comes to mind). Caraval was the fantasy novel that I desperately needed to read and I will probably re-read again, each time finding something new to love about it. This has definitely earned and carved a place for itself in my favorites.
I also tweeted at Stephanie Garber today and she responded to me. I fangirl-ed soooo hard.
“The circus arrives without warning” is the opening sentence to The Night Circus, setting the stage for a novel full of magic, mystery and intrigue. Author, Erin Morgenstern, takes full artistic advantage of the endless opportunities in this novel to describe visually dynamic scenes of the circus turning each reader into a rêveur of Le Cirque du Rêves.
The Night Circus is a fantasy novel that follows main characters, Celia Bowen and Marco Alisdair. Both are competitors in a complex magical challenge of skill and endurance starting as early as their childhood. As the story progresses, you learn that this competition involves a lot more than just testing skill and there are consequences to every action. Morgenstern blew my mind with this novel and had me lost in the mystery of Le Cirque du Rêves. The characters are exceptionally vivid and each detail serves a purpose in the conclusion. I absolutely adored reading this book and am unsurprised that it has become a #1 National Bestseller.
Growing up, I solely read fantasy books because when I was a kid — real life was never as much fun as the fantasy worlds I got to venture into. I journeyed to Hogwarts with Harry Potter and friends, fell in love in Forks, WA in Twilight, and committed a large part of my youth to keeping up with the Vampire Academy series. As I’ve gotten older, my tastes of changed some and I’ve been trying to expand to other genres like memoirs/biographies, literary fiction, thriller and suspense novels and these are just a few among others. The Night Circus gave me a sense of nostalgia for when I clung to those stories as a child and a reminder that there’s no real age restriction for a good book.
I would recommend this to: all readers looking for something outside of their comfort zone, those who were young fantasy lovers (like myself) for the perfect nostalgic purchanse and lastly to lovers of magic, the CIrcus and a touch of romance.
Phoebe Robinson is an African-American comedienne, half of the collaborative duo in the podcast, 2 Dope Queens and creator of the blog, Blaria (Black Daria). The author bio given here, which is also expanded on in the book, was as much as I knew about Phoebe Robinson before reading this book. I had zero expectations apart from an implied chuckle or two given the shock value of the title. Robinson did a stellar job in her debut novel and reading her book these past couple days was something I was constantly looking forward to. Any free moment, on breaks at work, you could find me completely lost in this paperback.
Robinson does something that requires quite a bit of finesse. She discusses heavy handed topics such as “the angry black woman myth” which is a name of one of her chapters. She also touches on the political climate of 2016 (spoiler: Trump becomes president, ugh.) and the overall daily struggle that it is to not only be an African American but an African American women. Each topic is discussed with an unbelievable amount poignancy and just a touch of humor. She shares her own personal accounts of learning to accept herself through her hair, through her comedy and through media as it has been evolving. Despite being merely 30-something years old, Robinson speaks with a knowledge far beyond her years, bestowing her knowledge and acute observations with the reader but especially with her baby niece, Olivia, with individual letters.
I think that You Can’t Touch My Hair should be required reading. It’s comedic, refreshing and incredibly insightful about the world that we are living in. This is something that I can see myself sharing with others when asked to recommend a great read. It’s mentioned briefly that Robinson may pursue writing future novels and if so, I look forward to adding her works to my growing library.